Issue 90 - Summer 2013
Liz Marshall’s The Ghosts in Our Machine leads our coverage of Hot Docs 2013.
Cover photo by Jo-Anne McArthur.
Spring & Arnaud follows the esteemed Canadian artists Spring Hurlbut met Arnaud Maggs during the final years of Maggs’s life.
Read MoreA battered yet indefatigable optimism suffuses the work of Alan Zweig, the Toronto filmmaker behind 15 Reasons to Live at Hot Docs 2013.
Read MoreDirector Ann Shin recounts her experience making The Defector: Escape from North Korea and learning new ways to see the world.
Read MoreDebra Zimmerman has taken the feminist non-profit Women Make Movies from grassroots production facility to the world’s largest distribution outlet of films by and about women.
Read MoreCanadian broadcasters are forced into making promises they’ll inevitably break, and find themselves dealing with pesky independent producers.
Read MoreWith NCR: Not Criminally Responsible at Hot Docs, John Kastner’s films continue to be preoccupied with weightily Dostoyevskian themes.
Read MoreThere appears to be a fundamental disconnect between the various public bodies empowered to fund documentaries in Canada.
Read MoreAward winning filmmaker Molly Dineen was born in Canada, but identifies as British and is driven by the need to understand the world.
Read MoreDavid Vaisbord offers a six-point manifesto to help Canadian documentary filmmakers cut it in an industry with modest means.
Read MoreA survey of Hot Docs shorts including Just As I Remember, Softening, Yellow Sticky Notes | Canadian Anijam, and Packing Up the Wagon.
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