Issue 75 - Fall 2009
Neil Diamond’s Reel Injun explores the complicated and often harmful history of Indigenous representation in films and images. Plus other TIFF highlights like Peter Mettler’s Petropolis and Ruba Nadda’s Cairo Time.
A science and eco-oriented look at three docs about water: Flow, Blue Gold and Waterlife.
Read MoreIn part one of a career-spanning interview, Peter Mettler shares his thoughts about his work since Gambling, Gods, and LSD.
Read MoreA new European public site for online distribution of documentaries and experimental films, Doc Alliance is a joint effort of five festivals and offers unique access to over 300 films.
Read MoreWhat happens to doc-makers when they make a film in partnership with NGOs—social agencies and charities? Is it a "good thing"? Or are such projects hopelessly compromised?
Read MoreReel Injun is a revelatory documentary about the history of the intricate relationship between Native people and the screen.
Read MoreRenowned film archivist Elizabeth Klinck organizes panels and workshops at international markets to highlight the importance of visual and editorial research.
Read MoreFilmmaker Gary Nichol was a gregarious, no holds barred, cards on the table kind of guy with a quiet, generous spirit.
Read MoreTaxing us to plug the dyke not only infuriates for the cynical grab that it is, but insults us as well for the waste of money it will become.
Read MoreArtist-filmmaker Mark Lewis represents Canada at the Venice Biennale with a series of meditative films that were sponsored by the NFB. Are docs and art intertwining?
Read MoreWhite Pine Pictures latest biographical feature on legendary pianist Glenn Gould explores his love life, unravelling the man behind the myth. Conlogue shares the tale.
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