Issue 70 - Summer 2008
Nettie Wild on a career in documentary, including A Place Called Chiapas, Blockade, and A Rustling of Leaves.
The Corporation paid Telefilm back in full and, unlike most Canadian dramas, is actually making a profit for the good citizens of Canada.
Read MoreWatching other aspiring filmmakers struggle with their first films, I started to wonder, “Why can’t everyone have a mentor?”
Read MoreProfiling Canadian film producer David Christensen from his rise as an independent to his new role with the National Film Board of Canada (NFB).
Read MoreAnimated documentary should not be thought of as a strange hybrid at the margins, but one of the central forms of documentary film since its inception.
Read MorePerdue evokes the career of the genre-smashing art of the collective, General Idea, and examines Annette Mangaard’s new film.
Read MoreThe CFC Media Lab’s Ana Serrano has created a beehive of activity culminating in Late Fragment, an interactive multi-narrative feature, which premiered at TIFF and is now being released on DVD.
Read MoreWhile Bob Clark does get credit for making one of the most commercially successful Canadian films ever, his work has suffered a lack of proper appraisal.
Read MoreAn American distributor snapped up Yung Chang's Up the Yangtze at Sundance, but Canadian distributors didn't bite. What does that mean for us?
Read MoreWriting a piece about Phil Strong, the film score composer, would be wholly incomplete without including his life partner, Laurel MacDonald.
Read More