Payal Kapadia makes a poetic and invigorating feature debut in this Cannes winner that charts a young woman's personal and political awakening amid student protests in India.
The Lost Leonardo is one of those docs that is absolutely worth seeing because the story is so compelling. Not only is Andreas Koefoed’s film well researched, but it also has a pace and rhythm that makes one relish its complex narrative.
In The Last Man Standing: Suge Knight and the Murders of Biggie & Tupac, Nick Broomfield returns to a case that continues to haunt him and makes new allegations against Knight and the LAPD.
How many love stories can say they’ve spanned decades, crossed borders, and traversed genres? A tender tale of migration and belonging fuels Heidi Ewing's hybrid drama I Carry You with Me.
Jamila Wignot's portrait of Black dance maverick Alvin Ailey is a truly moving account of his life, work, and legacy. Ailey is imbued with the presence of a queer icon whose power endures.
On a typical afternoon, Neha Beauty Care & Training Centre is appropriately raucous with marriage talk. “I said: What else is love if not this madness?” Sachi, an emotional and playful beautician with nervous bravado, declares in half-jest. “Craziness is what love is!” She works at the beauty parlour in the dully chaotic, sedating interiors of New Delhi’s working-class Ambedkar Nagar district, the simultaneously shadowy and luminous setting of Priya Sen’s Yeh Freedom Life. Sachi’s family does not approve of her relationship with Sai, who is also a woman. Parveen, the film’s other protagonist, traverses a similarly torrid terrain of