Giving you our points of view on the latest docs in release and on the circuit.
Three Identical Strangers producer Grace Hughes-Hallett makes her directorial debut with The Secret of Me, a tale of intersex rights and a childhood robbed.
Jens Haaning inspires an art world controversy by delivering two empty frames as the commissioned art piece Take the Money and Run.
The music of the SoCal Vocals can't help but win you over as Just Sing follows their rehearsals for the International Competition of Collegiate A Cappella.
Alan Zweig speaks with twenty-odd people who live in the wake of suicide and share stories about grief, pain, and catharsis in Love, Harold.
Nechako: It Will Be a Big River Again observes the fight of the Stellat’en and Saik’uz Nations to protect a waterway that's fuelled their families for generations.
Who Killed the Montreal Expos? explores the loss of the beloved baseball team and US-Canada divides in culture, sport, and business.
The documentary series Mr. Scorsese proves frequently enlightening with its look at Martin Scorsese's filmography: but why does it ignore his docs?
Ben Whishaw and Rebecca Hall star in Ira Sachs' Peter Hujar's Day an authentic quotidian portrait of New York's arts scene.
Kaouther Ben Hania's devastating hybrid drama The Voice of Hind Rajab revisits the day the world failed a six-year-old Palestinian girl.
TIFF Wavelenghts' Slightest Pretense includes short works by Blake Williams, Fredj Mouassa, Freidl vom Gröller, Eri Saito, Björn Kammerer, and Basma al-Sharif.
