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Stream Canadian documentaries at NFB.ca

Photography - Page 3

Turning our lens documentary photography, writers explore the stories of non-fiction that are told within a single frame.
(Pictured: Wall Street [1915] by Paul Strand)

“We All Get Dressed for Bill”: Mark Bozek’s New Bill Cunningham Doc

by Pat Mullen
February 28, 2020
Features/Interviews/Photography

The Times of Bill Cunningham director Mark Bozek discusses his process of covering the extensive life and career of fashion photographer Bill Cunningham, combing through the archives, and being played by Bradley

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Black Pride: The Passionate Art of Carrie Mae Weems

by Laurence Butet-Roch
July 17, 2019
Photography

Carrie Mae Weems , who is the subject of the major career retrospective at this year’s Scotiabank CONTACT Photography Festival in Toronto, began her artistic career in the late ’70s, when she started producing Family Pictures

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Denyse Gérin-Lajoie: Respect for the Other

by Vincenzo Pietropaolo
January 24, 2019
Photography

“It’s the eyes,” she said. “We enter into a relationship through the eyes. I have a relationship with this person, and she’s responding to me, and the person viewing the photograph has

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Caroline Monnet: Reclaiming Space for the Indigenous Renaissance

by Laurence Butet-Roch
August 15, 2018
Features/Photography

Spotlight on Caroline Monnet, whose work History Shall Speak for Itself puts a mosaic of Indigenous artists, including Alanis Obomsawin, on the walls of TIFF Lightbox during the Scotiabank CONTACT Photography Festival.

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Raymond Depardon: Documentary Master

by Jocelyne Clarke
March 14, 2018
Essays/Photography

Is Raymond Depardon a photographer who is also a filmmaker, or vice versa? The question arises as one contemplates the truly prodigious 60-year output of this enigmatic visual artist,

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An Eye for Beauty: Lisa Immordino Vreeland Talks ‘Love, Cecil’

by Pat Mullen
March 13, 2018
Interviews/Photography

Love, Cecil shows an eye for beauty that looks beyond glamour as Immordino Vreeland shines a light on some of Beaton’s lesser known work, like his street photography and wartime portraits.

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Canada’s Documentary Photography Scene

by Vincenzo Pietropaolo
January 2, 2018
Essays/Photography

“Documentary? That’s a very sophisticated and misleading word. And not very clear. The term should be documentary style…You see, a document has use, whereas art is really useless.” —Walker Evans (1903-1975) When

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The Call of the Land and History

by Vincenzo Pietropaolo
November 21, 2017
Essays/Photography

The documentation of landscape by photographers is as alluring today as it was at the beginnings of photography, perhaps because the genre offers a comforting niche for soul-searching and exploration of one’s

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CONTACT Festival & the Diversity of Canadian Photography

by Laurence Butet-Roch
October 24, 2017
Festivals/Photography

The weight of Canada’s sesquicentennial is being felt across a range of cultural manifestations and CONTACT, Toronto’s month-long photo festival, is no exception. The 20 primary exhibitions and 17 public installations all

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Power to the People: Photography and Video of Repression and Black Protest

by Laurence Butet-Roch
February 22, 2017
Photography

An overview of works that are part of Power to the People: Photography and Video of Repression and Black Protest at the Ryerson Image Centre

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Prime Minster Brian Mulroney appears in a fantastical image. He is pictured from the waist up wearing a flamboyant Liberace-style coat. There is a dazzling background behind him with campaign signs. He looks pale and a bit like a vampire.

CURRENT ISSUE

Issue 126: Fall/Winter 2026

Ladies and Gentlemen, Brian Mulroney is Matthew Rankin's irreverent docufantasia about Canada's 18th PM.

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There's no crying in the arena! 🐎 #Cheyenne direc There's no crying in the arena! 🐎

#Cheyenne director Taimi Arvidson and riders Allysa Spierings and Emily Collits tell us about bucking bronc and the importance of getting back in the saddle. 

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Producer Mark Selby accepts the People's Choice Do Producer Mark Selby accepts the People's Choice Documentary Award for DARLENE LOVE: I KNOW WHERE I'VE BEEN, directed by Betty Avrich. (Back to back wins!)

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We have lots more reviews to inspire some last day We have lots more reviews to inspire some last day rush line choices! #tiff26

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"There is no history of cinema without Patricio Gu "There is no history of cinema without Patricio Guzmán." 🇨🇱

Film critic @cinemafrann remembers the master filmmaker who chronicled a nation's history and gave voice to the voiceless in films like The Battle of Chile, Obstinate Memory, Nostalgia for the Light, and The Pearl Button. 

🔗 link in bio. 

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More reviews from Toronto! 👍👍 📽 Musk 📽 The Final More reviews from Toronto! 👍👍

📽 Musk
📽 The Final Act
📽 Ladies and Gentlemen, Brian Mulroney 
📽 Rescue
📽 2.6 Seconds: Fresh in the Outback
📽 Re/Pair
📽 Tehran, Under the Skin

🔗 visit POVmagazine.com for all our Tehran from the festival. 

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The #tiff26 reviews keep rolling in! 🔗 Visit POVm The #tiff26 reviews keep rolling in!

🔗 Visit POVmagazine.com for our critics' takes on:
📽 Darlene Love: I Know Where I've Been
📽 Turtle Island Rap
📽 Black Sunflowers
📽 Edward Said: Between Worlds
📽 Still Night, Burning House 

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#BleedingHearts is love at first sight. 🫶 Ahead o #BleedingHearts is love at first sight. 🫶

Ahead of the film's @tiff_net premiere, director Andrew Morgan tells us about filming the @chaparelle story from the beginning.

📽 premieres at @tiff_net 
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At the world premiere of #BlackSunflowers! 🇺🇦 Hug At the world premiere of #BlackSunflowers! 🇺🇦

Huge standing ovation for story of young Ukrainians soldiers, ravers, and photographers in wartime.

Executive producer Sean Penn introduces, while director James Marcus Haney reads a letter from Sofia, a soldier who couldn't attend, and a local Ukrainian choir sets the mood. 👏👏

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The Black Box Is Orange Review: The Courage to Remember

September 22, 2026
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The Riders of Cheyenne Show There’s No Time for Tears in Rodeo

September 21, 2026
An old photograph shows an Iranian family sitting together on the floor. They are all looking at the camera and smiling.

Rehearsals for a Revolution Review: Traumatic Fights and Personal Archives

September 21, 2026
Darlene Love appears on stage performing a song. She is Black woman with blonde curly hair. She is holding a microphone and leaning back, and wearing a silver sequined dress.

Darlene Love: I Know Where I’ve Been Wins TIFF People’s Choice Documentary Award

September 20, 2026
Slovenian philosopher Slavoj Zizek is pictured from above as he lies on a bed with blue satin sheets. He is a white man with grey hair and is wearing a burgundy sweater with a white collared short underneath. His fingered is raised in the air as he makes an intellectual argument.

The Pervert’s Guide to Utopias Review: Everyone’s a Critic

September 20, 2026

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Prime Minster Brian Mulroney appears in a fantastical image. He is pictured from the waist up wearing a flamboyant Liberace-style coat. There is a dazzling background behind him with campaign signs. He looks pale and a bit like a vampire.

CURRENT ISSUE

Issue 126: Fall/Winter 2026

Ladies and Gentlemen, Brian Mulroney is Matthew Rankin's irreverent docufantasia about Canada's 18th PM.

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