"This film tries to project the future, but in doing so, it looks at the past," says Igor Drljača on his documentary The Stone Speakers, which offers an unconventional of Bosnian tourist
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Jamie Miller’s Prince’s Tale, Sophy Romvari’s duo Norman Norman and Pumpkin Movie, and Sofia Bohdanowicz’s Veslemøy’s Song highlight some of the newer voices in Canadian documentary. The films are loosely connected by themes of mortality, history, legacy, and
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I’m generally opposed to the idea of working vacations, but transcribing an interview with Cielo director Alison McAlpine while at my cottage gave her words extra gravity. There is something about the stars that
Keep ReadingMathieu Peirre Dagonas is the new executive director of the Documentary Organization of Canada (DOC). He has 15 years of political affairs experience, which includes working in senior provincial government roles. In 2011, Mathieu
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Canada’s media establishment got it right when they approached Jesse Wente to be the first director of the new Indigenous Screen Office (ISO). Articulate and passionate, Wente has been a cultural columnist for CBC Radio
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Hot Docs’ worthy recipient of the 2018 Don Haig Award, Ina Fichman, discusses her new films Laila at the Bridge and The Oslo Diaries and a prolific career in documentary.
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In Faith Hope Love, a new documentary that just premiered at the 25th edition of Hot Docs Canadian International Documentary Festival, director Katja Fedulova examines the role of women in modern-day Russia.
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True and unabashed passion is always a pleasure to encounter in a filmmaker. This enthusiasm makes Sparaga’s new film United We Fan, which has its world premiere at Hot Docs, such a
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"I started my career as a journalist and I still think what I’m doing is a form of journalism. I think it’s a career of asking questions and a career of curiosity,"
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Love, Cecil shows an eye for beauty that looks beyond glamour as Immordino Vreeland shines a light on some of Beaton’s lesser known work, like his street photography and wartime portraits.
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