"I didn’t intend to make a film entirely about empathy," says Coppers director Alan Zweig. I met one cop, Gary, who’s in the film, about five or six years ago. I could
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The Physics of Sorrow is Theodore Ushev's most ambitious and significant project to date as it offers a time capsule for a generation told using an unprecedented animation technique.
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Heather Young discusses her hybrid drama Murmur, which brings the story of a recovering addict who volunteers at an animal shelter to this year's Toronto International Film Festival.
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Max Lewkowicz’s documentary Fiddler: Miracle of Miracles assess the longevity of Fiddler on the Roof as it become more relevant than ever in Trump’s America.
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Directors Tamara Kotevska and Ljubomir Stefanov discuss their acclaimed doc Honeyland, which poetically observes a lone beekeeper, Hatidze, in Macedonia as she strives to preserve a way of life.
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Malcom Ingram has collaborated with Sean Stanley on a new doc, The Phantom of Winnipeg, which gives Brian De Palma's cult hit Phantom of the Paradise an appreciation it deserves.
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In Killing Patient Zero, Toronto filmmaker Laurie Lynd unravels the twisted story of Gaetan Dugas, the Quebecois flight attendant who was wrongly labelled the man who brought HIV to North America.
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"When the financial backers put down their feet it a city, it’s with a lot of energy and they shake the city," says Push director Fredrik Gertten on his documentary that explores
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Is Showgirls the worst film ever made, the ultimate so-bad-it's-good movie, or an underappreciated masterpiece? Jeffrey McHale's You Don't Nomi playfully reconsiders this oft-maligned film.
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Directors Joan Tosoni and Martha Kehoe look back at the life and career of iconic singer and composer Gordon Lightfoot in If You Could Read My Mind.
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