This sombre but reflective verité-style film gives voice to survivors of the Six-Day War, which ravaged the director’s hometown of Kisangani in the Democratic Republic of Congo.
Keep Reading
Joel Bakan and Jennifer Abbott discuss The New Corporation: An Unfortunately Necessary Sequel, which follows the first film with a penetrating study that explores capitalism through philanthropy, COVID-19, and Black Lives Matter.
Keep Reading
One unexpected twist anticipates another in Sonia Kennebeck’s Enemies of the State. The film is a jaw-dropper of a wild-but-true tale that leaves a viewer guessing.
Keep Reading
Sofia Bohdanowicz and Deragh Campbell occupy a rare space in the Toronto film scene. You can’t discuss one without mentioning the other. The duo bring their latest collaboration home with Point and
Keep Reading
The Boy from Medellín is a surprising near-miss from director Matthew Heineman with its portrait of Colombian rapper J. Balvin that doesn't quite go all in.
Keep Reading
No Ordinary Man brilliantly rewrites the past as directors Aisling Chin-Yee and Chase Joynt and writer Amos Mac correct the story of jazz musician Billy Tipton through voices he inspired.
Keep Reading
76 Days director Hao Wu discusses his film that takes audiences to the front lines of the coronavirus pandemic with an urgent cinema verité portrait of the outbreak in Wuhan.
Keep Reading
Directors Liz Garbus and Lisa Cortés discuss their new film All In: The Fight for Democracy, which features Stacey Abrams and the history of voter suppression.
Keep Reading
The niggling question that The Golden Girl doesn’t quite answer, though, is why the officials should bother now. Răducan’s plight, valid as it is, comes 15 years after the events and the documentary arrives
Keep Reading
Tatyana McFadden, subject and producer of Netflix’s Rising Phoenix, discusses her film about the history of the Paralympic Games and Paralympians’ fight for equity and visibility.
Keep Reading