Issue 67 - Fall 2007
Veteran Paul Jay is interviewed, while three POV writers debate Michael Moore’s Sicko, and Guy Maddin crafts the docu-fantasia My Winnipeg.
How will amendments to the Canadian Copyright Act influence the role of Errors & Omissions in documentary production?
Read MoreTIFF has programmed over 25 Canadian feature films this season, yet only one of them is directed by a woman.
Read More"I’ve never thought of what I do as a career. Maybe from the outside it looks like a career, but it was mostly a series of accidents," says Paul Jay.
Read MoreIs Michael Moore a raving propagandist or a left-wing saviour? Filmmakers Peter Wintonick (Manufacturing Consent) and Rick Caine and Debbie Melnyk (Manufacturing Dissent) offer their takes.
Read MoreInternationally acclaimed auteur Guy Maddin shares his impressions of a city that has shaped his life and inspired his first doc, My Winnipeg.
Read MoreIn an exclusive collaboration with TIFF, POV is pleased to publish an excerpt from Loiselle’s new book on Michel Brault.
Read MoreDistinguished writer Ariel Dorfman’s (Death and the Maiden) journeys from Chile to the US inspired Peter Raymont’s new doc feature. Nayman observes an inspiring tale.
Read MoreDid Barney Rosset the founder of Grove Press, which published Candy, Henry Miller, The Story of O, William Burroughs and Victorian erotica, make obscene books? Or masterpieces?
Read MoreWhen the American “pro-Israeli” version of The Six Day War was broadcast in Canada, POV asks, who controls history in this country?
Read MoreNow HD product has a rapidly growing presence in broadcast television. There is more HD programming, TVs are bigger, designed for HD.
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