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Slow Cinema - Page 2

Il Buco Review: Exploring the Boundless Mysteries of the Natural World

by Mark Hanson
May 4, 2022
Hot Docs/Reviews

Michelangelo Frammartino's Il Buco ponders the intangible mysteries of existence as curious researchers explore caves with wonder.

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Ostrov – Lost Island Review: A Community Adrift

by Pat Mullen
May 9, 2021August 9, 2021
Hot Docs/Reviews

Winner of this year’s Best International Feature Documentary Award at Hot Docs, Ostrov – Lost Island is a stark portrait of a community abandoned. The film visits the titular island in the

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Faya Dayi and Rift Finfinnee show Ethiopia’s struggles—but in avant-garde formats

by Daniel Glassman
May 2, 2021August 9, 2021
Features/Hot Docs

Jessica Beshir’s lyrical Faya Dayi and Daniel Kötter’s formalist Rift Finfinnee, two oddly similar films set in an Ethiopia struggling with the upheavals of urbanization and industrialization, are almost excellent movies. Both

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The Plastic House Review: One Is the Loneliest Number

by Pat Mullen
November 19, 2020August 28, 2021
Reviews

The Plastic House (Australia, 45 min.) Dir. Allison Chhorn For a film that emphasizes isolation, viewed during a prolonged period of isolation, The Plastic House conveys a remarkable sense of communion. This largely silent

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‘Invitation’ and the Power of Offscreen Action

by Pat Mullen
April 22, 2020August 28, 2021
Reviews

Invitation (Nimtoh) (India, 85 min.) Dir. Saurav Rai Director Saurav Rai invites audiences to celebrate slow cinema with his debut feature Nimtoh aka Invitation. This neorealist hybrid drama, which closes Images Festival’s 2020 online edition,

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‘That Cloud Never Left’ Sees Film as a Toy, Fiction as Clay

by Pat Mullen
April 17, 2020August 28, 2021
Reviews

That Cloud Never Left (India, 65 min.) Dir. Yashaswini Raghunandan Director Yashaswini Raghunandan has a perceptive sense of humour. Her film That Cloud Never Left opens with a title card that reads, “This is

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Review: ‘Harvest Moon’

by Pat Mullen
May 3, 2018October 6, 2021
Hot Docs/Reviews

Harvest Moon (Canada, 70 min.) Dir. Zaheed Mawani Programme: Canadian Spectrum (North American Premiere)   Slow cinema nuts are in for a treat with Harvest Moon. This observational film demands and rewards

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An archival image of rocker Carole Pope seated in a backwards folding chair. She is wearing a black leather jumpsuit and boots. This is a cover for POV issue #125 with the letters POV in bright pink and the subtitle The Antidiva in yellow.

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Do comedy and documentary impulses go hand in hand Do comedy and documentary impulses go hand in hand?

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Sometimes you have to make a horror movie to fund Sometimes you have to make a horror movie to fund a documentary. 😱

#SilverScreamers offers a meta look at the state of film financing, plus another reminder that you're never too old to try new things. 

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Read more #AgathasAlmanac in our interview with Amalie Atkins and our review from Hot Docs. You won't meet a better, wiser, or more fashionably colourful character this year. 

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Maestro Gianfranco Rosi completes an unofficial tr Maestro Gianfranco Rosi completes an unofficial trilogy about Italian encounters in #PompeiBelowTheClouds after Golden Lion winner Sacro GRA and Golden Bear winner FIRE AT SEA. 🌋

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Is #AI here to save us or to bring the end of days Is #AI here to save us or to bring the end of days?

Directors Daniel Roher and Charlie Tyrrell join us to  talk about The AI Doc: Or, How I Became an Apocaloptimist and raising kids in the age of AI.

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Actor Nathan Fielder stands on an airport runway. He is a white man with brown hair. He is wearing a pilot's uniform with a suit and tie. An airplane is in the background.

Nathan Fielder’s Slippery The Rehearsal

April 9, 2026
A low angle shot observes filmmaker Ric Esther Bienstock as she sits cross-legged on a chair while reading from her phone. She is a white woman white brown puffy hair, and is wearing blue jeans, a black leather jacket, and suede Chelsea boots.

Speechless Review: The Conversation that Nobody Wants to Have

April 6, 2026
A Russian woman in her 20s stands in a broadcasting studio. She looks up at monitors with an anxious expression. There are several TV screens behind her.

Julia Loktev Talks My Undesirable Friends and Capturing History in the Making

April 3, 2026
A view down the propeller of an airplane, which is flying over mountains.

Vancouver’s DOXA Documentary Festival Announces 2026 Line-up

April 2, 2026
Seven senior citizen stand in a semi-circle facing the camera.

Silver Screamers Review – Meet 2026’s Biggest Scare: Film Financing

April 2, 2026April 4, 2026

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An archival image of rocker Carole Pope seated in a backwards folding chair. She is wearing a black leather jumpsuit and boots. This is a cover for POV issue #125 with the letters POV in bright pink and the subtitle The Antidiva in yellow.

CURRENT ISSUE

Issue 125: Spring/Summer 2026

Antidiva: The Carole Pope Confessions spotlights the career of the Rough Trade rocker.

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