Director Andrew Moir and producer Michelle Serieux discuss their film Don't Come Searching and using the COVID-19 pandemic to find the true heart of their story.
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Raymonde Provencher is the subject of Hot Docs 2022 Focus On retrospective for her career documenting urgent human rights stories with compassion and care.
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What is the future like for Canadian documentary producers? POV discusses the state of Canadian documentary with two producers, Peter Raymont and Andreas Mendritzki.
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Radio Atlas is the “English-language home for subtitled audio from around the world.” It’s like subtitled movies, if they didn’t have pictures. And it’s available online and wherever you listen to podcasts.
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It’s been sixteen years since the release of The Corporation introduced a wealth of exciting strategies for producing, promoting, and distributing Canadian documentaries that seek not just to enlighten viewers but give
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Agnès Varda celebrated the beauty of the marginalized, turning her lens on the elderly, indigent, immigrants, and people of colour. Most of all, she focussed on women.
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-Ariel Nasr’s NFB film The Forbidden Reel shares rare excerpts from classic Afghan cinema and images of life pre-Taliban.
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Two Canadian institutions collide in Mike Hoolboom’s heartfelt Judy Rebick doc Judy Versus Capitalism
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Hot Docs' 2020 opening night film Softie by director Sam Soko and EyeSteelFilm is a portrait of photojournalist and activist Boniface “Softie” Mwangi.
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Mira Burt-Wintonick discusses her new film Wintopia, a moving and personal reflection about her late father, Peter Wintonick -- filmmaker, former POV editor, and Canada's documentary ambassador.
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