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See the Best Docs on the Big Screen at Hot Docs Ted Rogers Cinema

Broadcasting - Page 2

One is the Loneliest Number

by Sarah Keenlyside
September 1, 2011
Features

Is it possible to make one-off “POV” docs anymore? A look at the sorry state of Canadian broadcasting.

Keep Reading

Policy Matters: Bell Tolls

by Barri Cohen
February 1, 2011
Industry

The CRTC bought Bell’s two-step hook, line and stinker, snapping their own credibility so thoroughly as to turn Tony Clement into something few ever thought would be possible: a folk hero.

Keep Reading

Policy Matters: Their Finest Hour on Bended Knee

by Barri Cohen
April 1, 2009
Industry

What a time it’s been for private Canadian broadcasters. Here they are, in the midst of a mini depression, on the ropes from falling ad revenue, and swimming in debt.

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The Versioning of History

by Matthew Hays
October 1, 2007
Features

When the American “pro-Israeli” version of The Six Day War was broadcast in Canada, POV asks, who controls history in this country?

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Pointed View: Multiplatforms and the Independents

by Samantha Hodder
May 1, 2006
Industry

As the dot-com boom explodes and the digital revolution takes over, how will broadcasters adapt or, more likely, leave independents behind?

Keep Reading

The POV Interview: Rudy Buttignol

by Marc Glassman
May 1, 2006
Interviews

Rudy Buttignol’s presence was crucial in the founding of DOC and the development of Hot Docs. He talks to POV about his passionate involvement with documentary.

Keep Reading

Policy Matters: Between Festivals and the TV Frame

by Barri Cohen
May 1, 2006
Industry

When it first began in 1994, Hot Docs primarily showcased Canadian works--broadcast docs--and it showed. How do artists and festivals find balance?

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Prime Minster Brian Mulroney appears in a fantastical image. He is pictured from the waist up wearing a flamboyant Liberace-style coat. There is a dazzling background behind him with campaign signs. He looks pale and a bit like a vampire.

CURRENT ISSUE

Issue 126: Fall/Winter 2026

Ladies and Gentlemen, Brian Mulroney is Matthew Rankin's irreverent docufantasia about Canada's 18th PM.

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A man wearing an orange jumpsuit, with a yellow V atop the chest and shoulders, stands up through a car's sun roof. He is wearing sunglasses and has his arms spread over the roof of the car.

How The Stunt Driver Reimagines an NFB Ken Carter Documentary

September 5, 2026
A young woman sits at the foreground of the frame looking off to the left. Her mother is behind her, sitting on a white horse. The rolling pasturelands are in the background.

To Hold a Mountain Set to Open RIDM 2026

September 3, 2026
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National Film Board of Canada Announces 16 Projects for Funding

September 3, 2026
Diana Sanchez, pictured on the left, is a Latina-Canadian wearing a black blazer and blue suit. She is facing the camera, positioned to her side, and has her left hand raised slightly above her chest. Mara Gourd-Mercado, pictured on the right, is a Latina-Canadian woman pictured in close up. She is wearing a white collared short and is looking directly into the camera.

Hot Docs Boosts Diana Sanchez to President, Mara Gourd-Mercado Joins as E.D.

September 2, 2026
A cover of an old magazine displays a black and white image with the title 'Impressions' written in white text with a line underneath.

Revisiting Impressions

August 31, 2026

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Prime Minster Brian Mulroney appears in a fantastical image. He is pictured from the waist up wearing a flamboyant Liberace-style coat. There is a dazzling background behind him with campaign signs. He looks pale and a bit like a vampire.

CURRENT ISSUE

Issue 126: Fall/Winter 2026

Ladies and Gentlemen, Brian Mulroney is Matthew Rankin's irreverent docufantasia about Canada's 18th PM.

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