Jens Haaning inspires an art world controversy by delivering two empty frames as the commissioned art piece Take the Money and Run.
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The United Ukrainian Ballet Company honours the war effort by inviting soldier Oleksandr “Teren” Budko to take centre stage in Front Row.
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Nicolas Philibert's On the Adamant depicts a day centre aboard a Parisian boat with a holistic community-based approach to mental health.
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Call Me Dancer review finds a great underdog story in Mumbai's Manish Chauhan as he follows his dream to take the stage.
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Kanaval: A People's History of Haiti in Six Chapters delivers a nuanced and immersive celebration of Carnival with a rich cinematic essay.
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Soviet Barbara: The Story of Ragnar Kjartansson in Moscow is a true portrait of artistic expression amid life under Putin.
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White Balls on Walls asks if the art world can really address the hot-button issue of representation, history, and artistic merit?
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What does it take to keep the crown? Becoming a Queen profiles Joella Crichton, the longest-reigning queen of Toronto's Caribana festival.
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Can You Bring It: Bill T. Jones and D-Man in the Waters is about how art lives on, but it is also about art how art passes on.
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“Chinese rock ‘n’ roll is like a rolling egg,” says musician Cui Jian at the end of You Are the Days to Come. “Yet, we have not been broken or harmed. I
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