TIFF Review: ‘Rats’
Morgan Spurlock's Rats is a rare doc that both informs and gets under your skin - a creepy-crawly tale about the insidious creatures.
TIFF Review: ‘Austerlitz’
Sergei Loznitsa's Austerlitz is an immersion in the absence of meaning, becoming a sort of nihilistic totem to the impossibility of understanding.
TIFF Review: ‘Into the Inferno’
Werner Herzog's Into the Inferno is a masterwork filled with stunning visuals and captivating environs as he explores the power of volcanoes.
TIFF Review: ‘Ta’ang’
Wang Bing's Ta'ang is a vivid document of lived experience, but as a feature documentary, it could use a bit more context or inquisitiveness.
TIFF Review: ‘The Rolling Stones Olé Olé Olé: A Trip Across Latin America’
The Rolling Stones Olé Olé Olé! A Trip Across Latin America isn't much different from the field of Rolling Stones docs aside from the setting.
TIFF Review: ‘Voyage of Time’
Terrence Malick delivers his first (and hopefully last) doc with Voyage of Time, an atrociously meandering hodgepodge of empty philosophy.
TIFF Review: ‘I Had Nowhere to Go’
I Had Nowhere To Go is an adaptation of Jonas Mekas’ memoir by Turner-prize winning artist Douglas Gordon
TIFF Review: ‘J: Beyond Flamenco’
J: Beyond Flamenco offers a diverse range of performances that highlight a plurality of cultures and backgrounds that express themselves through the arts.
TIFF Review: ‘JT + The Tennessee Kids’
With the wild and entertaining JT + The Tenessee Kids, Jonathan Demme brings the “sexy” back to concert docs.
TIFF Review: ‘The Woman who Left’
Lav Diaz’s epic films are often compared to Russian novels, and his new film, The Woman Who Left, is inspired by a Tolstoy short story.