Reviews - Page 144

Giving you our points of view on the latest docs in release and on the circuit.

Review: ‘Silvana’

“Is this the lesbian revolution?” asks a rocker in Silvana. The revolution sings loudly and proudly in this revitalising documentary about Swedish rapper Silvana Imam.

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Review: ‘RBG’

The 84-year-old legal legend receives a long overdue doc portrait in RBG. This respectful profile by Julie Cohen and Betsy West is a timely look at the life of the Associate Justice of the Supreme Court and her legacy for advancing human rights.

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Review: ‘Kusama – Infinity’

nown as the “polka dot artist,” Kusama’s paintings, drawings, installations, performances and film go far beyond that simple description—though they have inspired striking fashion statements worn by some of the gallery’s attendees. Ever imaginative, Kusama’s work is challenging, gorgeous, and quite varied in its formal approaches.

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Review: ‘Leaning Into the Wind: Andy Goldsworthy’

Leaning into the Wind: Andy Goldsworthy Dir. Thomas Riedelsheimer Starring: Andy Goldsworthy   Andy Goldworthy is a land-based sculptor, who makes work inspired by the natural elements existing in the area, which he is commissioned to embellish through his practice. Yikes, you’re probably thinking. I thought I was going to read a film review, not something obscure about a post-modern art practice. Relax, my friend. This is film review of—let’s admit it—a sequel to a hit from 2001, Rivers and Tides. Thomas Riedelsheimer, who won best German doc awards for that film, returned to follow up on Goldsworthy’s career, which

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Review: ’93 Queen’

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93Queen (USA, 85 minutes) Dir: Paula Eiselt Programme: World Showcase (World Premiere)   Movies about underdogs fighting for their rightful place have built-in appeal. 93Queen expertly takes you into trials and tribulations, victories and reversals right out of a narrative film. The film is about Hasidic women who want to set up an all female emergency ambulance service in Brooklyn’s Borough Park, a neighbourhood the film refers to as a “self-contained bubble” of ultra-orthodox Jewish life. The story’s antagonist is, of course, the stern Hasidic patriarchy that insists women belong in the home cooking and taking care of children. The

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