"This film tries to project the future, but in doing so, it looks at the past," says Igor Drljača on his documentary The Stone Speakers, which offers an unconventional of Bosnian tourist
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TIFF’s annual Wavelengths programme is one of few opportunities for Torontonians (and Canadians) to see work on the bleeding edge of film aesthetics in such a concentrated burst. It’s also, I would
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Rachel Grady and Heidi Ewing discuss One of Us, an urgent docu-thriller about individuals facing the life-altering decision to leave their conservative Hasidic community.
Keep ReadingFirst things first: Wavelengths, the experimental and avant-garde program curated by Andréa Picard, is pretty clearly the best thing TIFF has going for it. Here, as nowhere else, the celebrity-centric mediocrity of
Keep ReadingLaunching TIFF’s doc section, Sophie Fiennes’s film Grace Jones: Bloodlight and Bami gave the audience at its first public screening the taste of ecstasy they hoped for. Both Fiennes and the living icon revelled
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With music by Philip Glass and no talking heads, Jane will delight people who know about ecology and the animals but are genuinely in Ms. Goodall’s life as well.
Keep ReadingMakala (France, 96 min.) Dir. Emmanuel Gras Programme: TIFF Docs (North American Premiere) Makala, Emmanuel Gras’ documentary about an episode in the life of a Congolese charcoal producer/salesman, Kabwita Kasongo, is
Keep ReadingNot all of TIFF’s docs end up in TIFF Docs. In recent years, many of the festival’s most interesting documentaries have been screened in the avant-garde program, Wavelengths. This year is no different: with
Keep ReadingSilas (Canada/South Africa/Kenya, 80 min.) Dir. Anjali Nayar, Hawa Essuman Programme: TIFF Docs (World Premiere) Liberian activist and political candidate Silas Siakor is a voice the world desperately needs. His commitment
Keep ReadingSammy Davis, Jr.: I’ve Gotta Be Me (USA, 100 min.) Dir. Sam Pollard Programme: TIFF Docs (World Premiere) Sam Pollard, who directed Sammy Davis, Jr.: I’ve Gotta Be Me, has an extensive
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