Sundance reviews for Cusp ("bold and bracing portrait of youth"), Ailey ("a beautiful act of remembering"), and Sons of Monarchs ("a provocative experiment in metamorphosis").
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"It felt like I was watching freedom on the stage—these beautiful diverse bodies in motion. It felt like an opening, like I was leaning in the whole evening and it just stayed
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Sundance reviews for Flee ("documents the unfilmable"), Rebel Hearts ("entertaining and vivid"), and The Most Beautiful Boy in the World ("adopts an undercurrent of homophobia").
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Is it time to say we’ve hit the second wave of coronavirus documentaries? Nanfu Wang’s In the Same Breath marks a notably different turn from the first batch of COVID docs out
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"There are so many parallels to now. There’s a whole other movement that’s happening, just like the empowerment of people back in the ‘60s and the excitement at the times with a
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"Everything exists in a mixture between Quechua mythology and reality. It’s reality in the sense that we have the plaza, the prison, the mountains – everything we have in Bolivia – but
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A selection of three works, programmed in the New Frontier and Shorts section of Sundance 2020 brings POV’s reporting on the festival to a close. It showcases the innovative storytelling of three
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Powerful forces are at work in this new batch of documentaries, seen and reviewed at the Sundance Film Festival. Backward-looking binaries are dismantled, where art, hope and optimism remain triumphant in the
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Our latest report on Sundance docs includes Natalie Wood: What Remains Behind, Assassins, Mucho Mucho Amor, and Into the Deep.
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Our next report from the Sundance Film Festival looks at several heavy-hitters. Two Oscar winners are back on the circuit, while a Canadian co-pro gives an iconic rock band its due and
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