Nathan Hilu's art and designs honour the Jewish lives lost during the Holocaust and confront the men responsible for their deaths.
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Caiti Blues will leave audiences feeling hopeful thanks to its verité portrait of young singer Caiti Lord.
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Is My Living in Vain holds the number one spot in the Hot Docs Audience Award rankings while Someone Lives Here takes the Canadian lead for the Rogers Audience Award.
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The interrogation of Hans Blix's handling of the Iraq arms question is made all the more fascinating by the blind spots one sees in Blix Not Bombs.
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Playing like a political thriller, Praying for Armageddon sounds the alarm bout the pervasive violence of religious fundamentalism in U.S. politics.
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Benoît Bringer's The Rise of Wagner covers the story of the Wagner mercenary group and its ties to Putin, albeit a bit superficially for viewer who have followed the story.
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Lukasz Konopa and Emil Langballe ask justice looks like in the aftermath of years of persecution and bloodshed in Theatre of Violence.
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Simon Chambers chronicles the dying days of his uncle, David, a former actor who loves to act for the camera in Much Ado About Dying.
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El Equipo tells the story of a group of people who tried to change history for the better amid the rule of Argentina's military junta.
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An interview with Unsyncable director Megan Wennberg about capturing the stories of a seniors' synchronized swimming team.
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