News, updates, and opinions from the biz side of documentary.
The CRTC has little choice but to get involved, perhaps kicking and screaming, in the nether world of the Internet.
With an increasing number of filmmakers starting out their careers after studying cinema in school, it’s interesting to investigate what trends towards environmental sustainability are taking place.
The stakes are high with Pontypool. Canadian film needs more profitable indie pictures to survive and thrive.
An American distributor snapped up Yung Chang's Up the Yangtze at Sundance, but Canadian distributors didn't bite. What does that mean for us?
The CFC Media Lab’s Ana Serrano has created a beehive of activity culminating in Late Fragment, an interactive multi-narrative feature, which premiered at TIFF and is now being released on DVD.
Watching other aspiring filmmakers struggle with their first films, I started to wonder, “Why can’t everyone have a mentor?”
The Corporation paid Telefilm back in full and, unlike most Canadian dramas, is actually making a profit for the good citizens of Canada.
The storm of protest caused by that dry-as-dust technical omnibus document, Bill C-10, shows how Canadian filmmakers rally the troops.
Now HD product has a rapidly growing presence in broadcast television. There is more HD programming, TVs are bigger, designed for HD.
TIFF has programmed over 25 Canadian feature films this season, yet only one of them is directed by a woman.