Alberta’s competing identities are reflected in the visual economies that comprise its documentary history, but they are also constituted by it.
Keep ReadingWhen Greg Tourino, a science librarian at Simon Fraser University and former graduate cinema student was asked in BCLiving Magazine about his passion for Black Canadian film, his answer could stand for
Keep ReadingSaskatchewan film is innovative, reflective work that leans toward the personal, yet tells a story specific to a part of the country.
Keep ReadingIt’s a frigid February evening in Whitehorse when Tanya Tagaq takes the stage. She’s in a black dress and still buzzing from her recent Polaris Prize win. “I just want to tell the children
Keep ReadingThe queer connection to documentary filmmaking is longstanding and unmistakable. Around the world, fiction filmmakers have had to deal with a long history of censorship and repression, meaning images of LGBTQ characters were
Keep ReadingFilm histories are highly selective and reflect the biases, tastes and viewing experiences of those who write them. I hope that my following sampling of inward-looking political and activist docs may help
Keep ReadingThis year’s Hot Docs Canadian International Documentary Festival opened with Bee Nation, a crowd-pleasing feel-good story about First Nations kids and their families as they fought like hell to win Canada’s Spelling
Keep ReadingIf you want to understand the Canadian psyche, you have to watch Canadian documentaries.
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For most of the 20th century, film production on the Canadian prairies was small, and the vast majority of homegrown work was in educational, industrial, wildlife, promotional, and sponsored films. One who
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Hybrid films Aim for the Roses, Nuts!, and London Road pull back the curtain between fiction and non-fiction while making sense of a world of quack politicians and fake news.
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