In Eskape Neary Adeline Hay recounts a journey from Cambodia to France after the fall of the Khmer Rouge with her mother, Thany Lieng.
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An interview with The Kids in the Hall: Comedy Punks director Reg Harkema and producer Nick McKinney on chronicling the iconic Canadian comics.
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Bigger Than Trauma is an incredibly moving film, at times difficult to watch, and gives a voice to the women who were ignored and forgotten.
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The Thief Collector engages those who are looking to have some fun by playing detective and drawing tenuous conclusions.
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The Balcony Movie is Paweł Łoziński's view of the COVID-19 pandemic, seen entirely from the vantage point of his apartment's balcony doors.
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Blue Island explores what it means (and has meant) to be a Hongkonger over the last 150 years in the shadow of mainland China.
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In Silent Beauty, Jasmín Mara López confronts the sexual abuse she faced at the hands of her grandfather and uncovers a dark family secret.
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Joële Walinga's Self-Portrait examines what humans have created on this planet using found surveillance footage and layered soundscapes.
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In Sirens, Rita Baghdadi explores the group Slave to Sirens fronted by Lilas Mayassi and Shery Bechara, and a country in flux.
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Nina Menkes offers an academic study of the male gaze and the ways in which film objectifies women in Brainwashed: Sex-Camera-Power
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