Netflix doc Shawn Mendes: In Wonder doesn’t play strictly for fans, but his core followers will most appreciate this backstage glimpse of his 2019 concert tour and look at his forthcoming album
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Connecting the Dots (Canada, 54 min.) Dir. Noemí Weis Spending an hour listening to stories about pain, despair, loneliness, and depression might not be atop everyone’s list during this pandemic. Everyone is
Keep ReadingThe Plastic House (Australia, 45 min.) Dir. Allison Chhorn For a film that emphasizes isolation, viewed during a prolonged period of isolation, The Plastic House conveys a remarkable sense of communion. This largely silent
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The Donut King sees a passing of the crown as a new generation stakes its claim on an empire. Besides fatty foods, what is more American than that?
Keep ReadingA Crime on the Bayou (USA, 89 min.) Dir. Nancy Buirski “I have an ambivalent relationship to the term ‘allies’,” says activist Angela Davis in an archival excerpt in A Crime on the
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Here is a strange and bitter crop. Billie goes against the grain amid the nostalgic music docs of 2020 with a dark, true-crime exploration of a musical icon
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9to5: Story of a Movement is a fiery feminist essay about equality and labour—a fitting mark for Reichert to leave in a career devoted to giving voice to women and unions alike.
Keep ReadingThe Last Out (USA, 88 min.) Dir. Sami Khan, Michael Gassert With his Oscar-nominated short St. Louis Superman, Sami Khan confirmed that a great character often makes for a great documentary. The film,
Keep ReadingJimmy Carter: Rock & Roll President (USA, 93 min.) Dir. Mary Wharton Bill Clinton often gets credit as the USA’s musical President since he plays the sax, but nobody rocked out like
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“The mistakes that were made in the first 90 days sealed America’s fate,” says The Curve director Adam Benzine. By tapping into Easter Monday, it allows us to not have to worry
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