Over the course of a couple of days—in interviews conducted together in Toronto and then, via phone to Halifax from Ontario—John Walker shared stories with POV‘s editor, Marc Glassman. Here is the
Keep ReadingIn part two of a career-ranging conversation with POV’s editor, Nettie Wild talks about her filmmaking process and her documentaries.
Keep ReadingWill Tom Perlmutter be up for the difficulties that lie ahead? Speaking to the NFB Commissioner, it’s clear that he’s ready to take on any fights that might come his way.
Keep ReadingDirector Alison Murray and photographer Virginia Lee Hunter captured the colourful world of carnivals for their film Carny. Hunter’s photos illuminate the life for POV.
Keep Reading"I’ve never thought of what I do as a career. Maybe from the outside it looks like a career, but it was mostly a series of accidents," says Paul Jay.
Keep ReadingOn the silver anniversary of Films Transit, the finest sales agency for documentaries in Canada, CEO Jan Rofekamp speaks candidly on his career and the changing doc scene.
Keep ReadingIn a remarkable career that has just entered its fiftieth year, Allan King is among Canada's most distinguished filmmakers.
Keep ReadingResolutely Canadian, Raymont has made films for social change in Nicaragua, Rwanda and Igloolik. A career-spanning interview with the director of Shake Hands with the Devil.
Keep ReadingPOV talks to Lindalee Tracey about her career in making documentaries, her life and work with Peter Raymont, the legacy and controversy of Not a Love Story, and more.
Keep ReadingMozartballs and Burnt Toast are two musical documentaries by Larry Weinstein that assert his unique vision, style, and appeal.
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