In The Clock, Christian Marclay has offered 24 hours of fragmented time, a day’s worth of transformative moments.
Keep ReadingPOV’s annual survey of Canada’s films schools and departments is in its fourth year and we’re pleased with the increased attention it’s receiving among academics and students.
Keep ReadingOne approaches the release of Sarah Polley’s highly anticipated feature documentary about her family, Stories We Tell, with a mixture of relief and trepidation.
Keep ReadingPOV editor Marc Glassman and Kevin McMahon debate the latter's revolutionary suggestion that documentary is Canada's national art form.
Keep ReadingWim Wenders discusses his documentary Pina, working in 3D, and his long career spanning documentary, drama, and hybrids of the two forms.
Keep ReadingIsacsson’s compassionate and committed documentaries embrace issues concerning ecology, the homeless and aboriginal rights.
Keep ReadingThe second part of a career-spanning interview with Peter Mettler discusses his early days as a cinematographer for such narrative filmmakers as Atom Egoyan and Patricia Rozema.
Keep ReadingIn part one of a career-spanning interview, Peter Mettler shares his thoughts about his work since Gambling, Gods, and LSD.
Keep ReadingAn in-depth interview with Daniel Cross and Mila Aung-Thwin of Montreal's EyeSteelFilm.
Keep ReadingPart two of Marc Glassman's interview with John Walker about Passage, Strand, and learning the art of documentary from the Crawleys.
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