Bloodroot (USA, 93 min) Dir. Douglas Tirola You have to be of a certain age to remember when being part of a vegetarian restaurant and feminist bookshop run by a collective was
Keep ReadingBrooklyn Inshallah (USA, 83 min) Dir. Ahmed Mansour Sometimes truth can seem stranger than fiction. How’s this for an elevator pitch for a drama? “We’re going to focus on a Lutheran minister
Keep ReadingBuster Williams Bass to Infinity (USA, 90 minutes) Dir. Adam Kahan It’s often struck me that Francois Truffaut only made one mistake in adapting David Goodis’ noir thriller Down There into his brilliantly tragi-comedy Shoot
Keep ReadingThe Longest Wave (USA, 94 min) Dir. Joe Berlinger In the world of surfing, Robby Naish is a living legend. At the age of 13, back in 1976, Naish won the inaugural
Keep ReadingCity Dream (China, 100 min) Dir. Weijun Chen Programme: TIFF Docs (World Premiere) It doesn’t seem to matter whether a system is capitalist or communist. The consequential things remain the same. Weijun Chen’s latest
Keep ReadingIbrahim: A Fate to Define (Denmark/Lebanon/Qatar/Slovenia/Palestine, 110 min.) Dir. Lina Al-Abed Programme: TIFF Docs (World Premiere) We’ve seen films like Ibrahim: A Fate to Define before, the ones where family members find out much—sometimes too much—about
Keep ReadingParis Stalingrad (France, 86 min.) Dir. Hind Meddeb w/Thim Naccache Programme: TIFF Docs (International Premiere) Back in 1960, the filmmaker Jean Rouch, already acclaimed for Moi, un Noir, his genre-busting semi-fictional documentary shot in Africa’s
Keep ReadingLove Child (Denmark, 112 min) Dir. Eva Mulvad Two of the biggest issues in the world, border crossings and the fate of refugees, are at the heart of Love Child, Danish director Eva
Keep ReadingLetter to the Editor (USA, 88 min.) Dir. Alan Berliner Programme: TIFF Docs (World Premiere) Alan Berliner dubs himself a “cultural anthropologist,” a fitting term for a filmmaker fascinated by the way media reflects
Keep ReadingThe Cordillera of Dreams (Chile/France, 85 min) Dir. Patricio Guzman Patricio Guzman is a man obsessed with the past and who can blame him? When the director was young, he was a
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