The Sparks Brothers Review: Siblings’ Sweet Songs

Edgar Wright’s The Sparks Brothers chronicles the story of the offbeat band.

4 mins read

Edgar Wright deserves kudos for making his first documentary feature about Sparks, a band that is simultaneously quirky and anonymous, capable of performing in genres ranging from bubblegum to glam and from disco to art rock. Wright’s pop gods are perfect subjects for his method, which is to send up everything from gangster films (Baby Driver) to zombie horror flicks (Shaun of the Dead). With The Sparks Brothers, he’s given us a couple of unique filmic characters, Ron and Russell Mael, genuine siblings who have been making music professionally for over 50 years. The two would be ideal for a Christopher Guest film with Russell’s too good to be true handsomeness contrasting wildly with Ron’s bizarre downbeat expressions.

The story of Sparks does fit into the old cliché on docs: it is stranger than fiction. Imagine a couple of Californians coming of age in the ‘60s who are more interested in The Kinks and The Who than the local L.A. scene. After making a record with the very cool (at the time) Todd Rundgren and having it tank, they moved to England, where they actually had a hit single and made a splashy appearance on Top of the Pops, then the hippest TV show in the U.K. Besides the music, what transfixed British viewers—even stars like John Lennon—was Ron’s decision to wear a tiny moustache, which mimicked that of Adolph Hitler, or if you’re kind, Charlie Chaplin.

Wright takes great pleasure throughout the doc in showing off the myriad styles of Sparks. The duo’s surprising—and brilliant—move into disco in the late ‘70s is a case in point. We hear them take their pop sensibility and love of technology, adjusting it to a club environment with the inspiring help of Giorgio Moroder, to produce the appropriate titled hit “The Number One Song in Heaven.” Within a year, the boys were moving into new wave and by 1983, they were making my favourite tune by them, “Cool Places” with the Go-Go’s Jane Wiedlin on as a guest co-vocalist and dancer. Apparently, she had an affair with Russell, which is about as personal as this doc gets about the love lives of the brothers Mael.

The Sparks Brothers is clearly a labour of love for Edgar Wright. He takes great pleasure in the brothers’ odd but engaging personalities and is clearly a fan of the music as it changes over the years. Wright has lovingly assembled video clips from a host of the Sparks’ hits and misses. He’s added some wonderful animation scenes, which adds colour and humour to the film. And Wright has made sure that celebrity guests are on hand to validate his enjoyment of them and the music. They range from actors Jason Schwartzman, Mike Myers and Patton Oswalt to sci-fi writing legend Neil Gaiman to fellow musicians Flea, Beck, Todd Rundgren and Bjork to the notorious groupie memoirist Pamela Des Barres.

In 2008, Sparks produced 21 concerts over three weeks recapitulating all of the more than 300 songs that have appeared on their albums. It was extraordinary but was it too much? One asks that when evaluating Wright’s doc. It is amazing but at 140 minutes, is it too long?

The Sparks Brothers opens in select theatres on June 18 and expands at later dates.

Read more about the film in our interview with Edgar Wright from Sundance.

 

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Marc Glassman is the editor of POV Magazine and contributes film reviews to Classical FM. He is an adjunct professor at Ryerson University and is the treasure of the Toronto Film Critics Association.

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