Long Time Running (Canada, 90 min.) Dir. Jennifer Baichwal and Nicholas De Pencier Programme: Galas (World Premiere) Long Time Running has major expectations to fulfill given that the final performance of
Keep ReadingScotty and the Secret History of Hollywood (USA, 98 min.) Dir. Matt Tyrnauer Programme: TIFF Docs (World Premiere) It’s hard to divorce one’s opinion of subject Scotty Bowers from the documentary
Keep ReadingFaces Places (Visages villages) (France, 90 min.) Dir. Agnès Varda, JR Programme: Masters (Canadian Premiere) Agnès Varda, effervescent photographer and iconic filmmaker (The Beaches of Agnes, The Gleaners and I ;
Keep ReadingCocaine Prison, the latest documentary from Bolivian born indigenous filmmaker Violeta Ayala, provides a shocking insight into the world of drug trafficking in Bolivia. Filmed over four years, Cocaine Prison was shot inside a
Keep ReadingThe Judge (Palestine/USA, 82 min.) Dir. Erika Cohn Programme: TIFF Docs (World Premiere) Erika Cohn’s The Judge is a captivating and stirring documentary, which chronicles the story of the first female
Keep ReadingI, Tonya (USA, 121 min.) Dir. Craig Gillespie, Writ. Steven Rogers Programme: Special Presentations (World Premiere) “Everybody has their own truth, and life’s what you fucking make of it,” says Tonya
Keep ReadingJim & Andy: the Great Beyond – the story of Jim Carrey & Andy Kaufman with a very special, contractually obligated mention of Tony Clifton (USA/Canada, 95 min.) Dir. Chris Smith Programme:
Keep ReadingThe Gospel According to Andre (USA, 94 min.) Dir. Kate Novack Programme: TIFF Docs (World Premiere) In The Gospel According to Andre, Kate Novack offers a long needed and detailed examination
Keep ReadingGrace Jones: Bloodlight and Bami (UK/Ireland, 115 min.) Dir. Sophie Fiennes Grace Jones: Bloodlight and Bami is the only documentary I’ve ever seen that cites a hat designer in its opening
Keep ReadingJane (USA, 90 min.) Dir. Brett Morgen Programme: TIFF Docs (World Premiere) I went into Brett Morgen’s doc Jane with some trepidation. Did we really need a new Jane Goodall movie?
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