This year at TIFF, short documentaries take on the personal as political, looking to how big issues impact individuals. From optimism to pessimism, calls to arms and pointed critiques, these films offer
Keep ReadingRay & Liz (UK, 108 min.) Dir. Richard Billingham By Daniel Glassman Richard Billingham made his name as a photographer just over twenty years ago with Ray’s A Laugh, an exhibition and photobook
Keep ReadingLong Day’s Journey Into Night (China/France, 140 min.) Dir. Bi Gan It’s over fifty years since Susan Sontag in Against Interpretation admonished critics to supplant hermeneutics with erotics—to attend to surfaces instead
Keep ReadingLes Salopes or the Naturally Wanton Pleasure of Skin (Canada, 97 min.) Written and directed by Renée Beaulieu Starring: Brigitte Poupart, Nathalie Cavezzali, Vincent Leclerc, Pierre Kwenders, Romane Denis Programme: Contemporary World
Keep ReadingGraves Without A Name (France/Cambodia, 115 min.) Dir. Rithy Panh Programme: TIFF Docs (Canadian Premiere) Rithy Panh’s cinematic excavation of the Cambodian genocide is well into its third decade, and at least its fifth
Keep ReadingThe Image Book (Switzerland/France, 84 min.) Dir. Jean-Luc Godard Programme: Masters (North American Premiere) Godard has never been in doubt of his own genius, but at some point he left the rest
Keep ReadingSharkwater Extinction (Canada, 88 min.) Dir. Rob Stewart Programme: Special Events (World Premiere) There won’t be a dry eye in the house when the credits roll on Sharkwater Extinction. This final film by
Keep ReadingJawad Rhalib's powerful documentary When Arabs Danced is a joyous celebration of women and the impact of positive representation.
Keep ReadingMaria by Callas (France, 113 min.) Dir. Tom Volf Programme: TIFF Docs (North American Premiere) Every good diva deserves a doc portrait. Maria Callas receives a meticulously curated and assembled appreciation in this archival
Keep ReadingDiamantino (Portugal/France/Brazil, 97 min.) Dir. Gabriel Abrantes and Daniel Schmidt Programme: Midnight Madness (North American Premiere) Abrantes and Schmidt are part of a New York avant-garde film scene comprised mostly of Cooper
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