A Mongolian farming couple re-enacts their reluctant move in The Wolves Always Come at Night, an innovative hybrid film by Gabrielle Brady.
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Olivier Sarbil's Viktor offers a compellingly sonic portrait of a deaf war photographer capturing the war in Ukraine.
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An interview with Viktor director Olivier Sarbil about capturing the the war in Ukraine through the perspective of a deaf photographer.
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Viktor, directed by Olivier Sarbil, represents documentary in the Platform competition at this year's Toronto International Film Festival.
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Karyn Kusama’s Nicole Kidman vehicle ‘Destroyer’ is best in show at TIFF ‘18, although TIFF competitive spotlight once again gave documentary the cold shoulder. TIFF can be very good about finding some
Keep ReadingAlan Zweig discusses HURT, his brutally honest portrait of fallen Canadian hero Steve Fonyo, which won TIFF's inaugural Platform prize.
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