Telefilm Canada's See It All campaign maximizes the discoverability of Canadian films for Canadian audiences.
Keep ReadingHighlights from POV's Fall/Winter 2021 issue, which surveys the state of Indigenous film production, and highlights docs including Gabor, Flee, The Last of the Right Whales, and Three Minutes - A Lengthening.
Keep ReadingTelefilm Canada announced financial support for 22 feature documentaries. The projects were selected from 76 applications to the Theatrical Documentary Fund. Headlining the announcement is Buffy Sainte-Marie: Power in the Blood, a
Keep ReadingCanadian Hertiage’s Bill C-10 sets forth amendments to the Broadcasting Act, following a recommendation by the Yale Report to tackle the dominance of tech giants in Canadian screen culture. The centrepiece is
Keep ReadingAs the film industry logs on to the first virtual edition of the Marché du Film at the Cannes Film Festival, filmmakers are in an unprecedented situation. For the four teams of
Keep ReadingIn asking Telefilm to exercise this power to compensate for a year’s worth of envelope investment lost, my intent is not to gain an unusual advantage over others, but to be treated
Keep ReadingAn American distributor snapped up Yung Chang's Up the Yangtze at Sundance, but Canadian distributors didn't bite. What does that mean for us?
Keep ReadingThe Corporation paid Telefilm back in full and, unlike most Canadian dramas, is actually making a profit for the good citizens of Canada.
Keep ReadingThe Documentary Organization of Canada's executive director confronted Telefilm Canada's Elizabeth Friesen at the Banff World Television Festival. Here's the skinny.
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