Eduardo Williams follows his 2016 breakout The Human Surge with another genre-defying and artistically daring feat of cinema.
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The Mother of All Lies, co-winner of the l'OEil d'Or at Cannes, is a film of piercing honesty and a brave act of rebellion.
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In Tautuktavuk (What We See), Carol Kunnuk and Lucy Tulugarjuk create a unique auto-fiction hybrid about Inuit sisters divided by lockdown.
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New films by Karsten Wall, Miryam Charles, and Ryan McKenna are among the Canadian documentaries and hybrid films in TIFF Short Cuts.
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Julien Cadieux's hybrid musical documentary Y'a une étoile tells the story of transgender musician Samuel LeBlanc and LGBTQ Acadians.
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Zaida Carmona's humorous hybrid autofictionGirlfriends and Girlfriends is a clever sex farce and observation of Millennial life.
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How will the documentary community be affected by artificial intelligence (AI) and deepfakes? A look at the trend that has everyone talking.
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An interview with My Name Is Andrea director Pratibha Parmar about capturing the life and work of Andrea Dworkin in her unique hybrid film.
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The POV Pride Guide to documentaries features a baker's dozen LGBTQ+ films to watch this month, including The Queen, A Bigger Splash, The Company of Strangers, and Tramps!
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Kaouther Ben Hani's hybrid drama Four Daughters (Les filles d'Olfa) offers a unique exploration of family tragedy through performance.
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