"It was an anomaly for a documentary about art to do so well. But it proved that there is an audience for such a film," says Jennifer Biachwal on the success of
Keep ReadingFrederic Bohbot’s production house, Bunbury Films, has morphed into one of the busiest documentary think tanks in Quebec.
Keep ReadingFor independent artists in American docs, the support structure has always been less defined and promoted than it has been for organizations.
Keep ReadingWhat happens to doc-makers when they make a film in partnership with NGOs—social agencies and charities? Is it a "good thing"? Or are such projects hopelessly compromised?
Keep ReadingA new European public site for online distribution of documentaries and experimental films, Doc Alliance is a joint effort of five festivals and offers unique access to over 300 films.
Keep ReadingIn asking Telefilm to exercise this power to compensate for a year’s worth of envelope investment lost, my intent is not to gain an unusual advantage over others, but to be treated
Keep ReadingAn American distributor snapped up Yung Chang's Up the Yangtze at Sundance, but Canadian distributors didn't bite. What does that mean for us?
Keep ReadingThe Corporation paid Telefilm back in full and, unlike most Canadian dramas, is actually making a profit for the good citizens of Canada.
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