Is there any sight quite as romantic as a sunset? Dominque Keller provides three portraits of enduring love in Love: The Last Chapter. This sweet slice of life doc observes a trio
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While the cheeky name reflects punk icon Poly Styrene’s self-reflexive wit, this doc reveals that she was anything but forumlaic.
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The international juries at Hot Docs this year favoured slow cinéma vérité If the feature winner Ostrov – Lost Island exemplifies the limitations of the art form with its lethargic portrait of
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Shannon Walsh's eye-opening film asks how much we’re willing to pay so that others can enjoy a more equitable life.
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Behind your favourite app is an army of invisible workers. Drivers and delivery services ensure we get our food on time and that we’re never late for a meeting. In countries worldwide,
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Someone Like Me and One of Ours intimately confront identity and belonging.
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Elle-Máijá Tailfeathers’ Kímmapiiyipitssini: The Meaning of Empathy weaves together a broad portrait of the impact of settler colonialism on Blackfoot people, through firsthand experiences of people with substance use disorder, and the
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Intense hard rock. Searing guitar solos. Serious strutting on stage with no sexual posturing. These aren’t things you often associate with female musicians. So props to Bobbi Jo Hart, whose documentary Fanny:
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