Jessica Kingdon's Ascension is a striking visual essay about the fallacy of dreams and human costs of capitalism.
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An interview with In the Same Breath director Nanfu Wang on documenting censorship, surveillance, propaganda, and misinformation through the lens of COVID-19.
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“Chinese rock ‘n’ roll is like a rolling egg,” says musician Cui Jian at the end of You Are the Days to Come. “Yet, we have not been broken or harmed. I
Keep ReadingSwimming Out Till The Sea Turns Blue (China, 112 min.) Dir. Jia Zhang-ke Faces are the recurring interest of Jia Zhang-ke’s Swimming Out Till The Sea Turns Blue, the director’s third film in
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76 Days director Hao Wu discusses his film that takes audiences to the front lines of the coronavirus pandemic with an urgent cinema verité portrait of the outbreak in Wuhan.
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Bring the biggest box of Kleenex you can find to One Child Nation. This devastatingly powerful film, which won the Grand Jury Prize at Sundance this year, is an absorbing, eye-opening, and
Keep ReadingLetter from Massanjia is part docu-thriller and part human rights saga.
Keep ReadingDragonfly Eyes (China/USA, 81 min.) Dir. Xu Bing Programme: Wavelengths (North American Premiere) Xu Bing is a Chinese artist of Ai Weiwei’s vintage—they were even roommates in New York—whose most famous
Keep ReadingStill Tomorrow (China, 88 min.) Dir. Jian Fan Programme: Artscapes (Canadian Premiere) In half of China, things are happening: volcanoes erupt, rivers run dry, political prisoners and displaced workers are abandoned,
Keep ReadingDirector Yung Chang’s feature debut Up the Yangtze is a rarity—a film that portrays a vastly complex reality made immediate and personal through an artist’s sensibility. Monumental, yet intimate.
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