Rabbi Amichai Lau-Lavie navigates his life as a spiritual leader with his drag persona as Rebbetzin Hadassah Gross in Sabbath Queen.
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The Six Billion Dollar Man treads hagiography with its portrait of Julian Assange and doesn't have the right man, right moment impact it should.
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Acclaimed filmmaker Raoul Peck revisits the resonance of George Orwell's work, in Orwell: 2+2=5, but somewhat obscures the message of his writing.
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Anton Alvarez, aka Spanish hip hop artist C. Tangana, makes his feature debut with an ode to an artist in The Flamenco Guitar of Yerai Cortés.
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In Agatha's Almanac, Amalie Atkins delivers an aesthetically pleasing portrait of her 90-year-old aunt Agatha and her beloved garden.
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Soul magazine publisher Regina Jones gets her due in Who in the Hell Is Regina Jones?, a touching portrait about making space for Black voices.
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Sly Lives! (aka the Burden of Black Genius) sees Ahmir 'Questlove' Thompson examine the career and legacy of Sly and the Family Stone and the double standards to which Black artists are
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The handsomely and lovingly assembled archival documentary Selena y Los Dinos celebrates the life and music of singer Selena Quintanilla.
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Marlee Matlin: Not Alone Anymore follows the Oscar winning actor's fight for change and accessibility in Hollywood and for better representation for Deaf artists.
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Jacinda Ardern's tenure as New Zealand's Prime Minister offers a lesson in leadership, even if the documentary has a trade-off between access and insight.
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