Then and Forever: The Objectivity of Heddy Honigmann by Andrew Tracy Published on April 1, 2007May 14, 2022 Features/Hot Docs Assessing the work of the 2007 Hot Docs Outstanding Achievement winner, Heddy Honigmann.
Quebec Dreams: The films of Serge Giguère & Sylvie Van Brabant by Claude Lalumiere Published on April 1, 2007May 15, 2022 Features There’s more to Sylvie Van Brabant and Serge Giguère, the indie Quebec doc team of Les Productions du Rapide Blanc, than À force de rêves.
War and Peace The POV Interview: Anand Patwardhan by Magnus Isacsson Published on April 1, 2007April 6, 2022 Interviews Anand Patwardhan has been called in the U.S. the “Michael Moore of Indian documentaries,” a quick-hit description of a dedicated artist and activist.
Streets, Oceans and Outer Space: A Producer’s Journey by Richard Stanford Published on April 1, 2007May 14, 2022 Features Smoked meat sandwiches, beluga whales and sci-fi - a look at producer Richard Elson's eclectic oeuvre
Eastern Promise by Matthew Hays Published on February 2, 2007May 13, 2022 Features Yung Chang's astonishing breakthrough Up the Yangtze examines the development of the Three Gorges Dam and China in a state of transition.
The POV Interview: Jan Rofekamp by Marc Glassman Published on February 1, 2007May 12, 2022 Interviews On the silver anniversary of Films Transit, the finest sales agency for documentaries in Canada, CEO Jan Rofekamp speaks candidly on his career and the changing doc scene.
Policy Matters: Fear Factor- Do Women Make Films? Part II by Barri Cohen Published on February 1, 2007May 15, 2022 Industry Nearly 50% of film school students are women and it’s little wonder they quickly get soul-worn and waylaid on their way to the director’s chair.
Politics and Sleeves by Jennifer Baichwal Published on February 1, 2007May 12, 2022 Features Jennifer Baichwal, director of Manufactured Landscapes (2006), on the aesthetics of suffering onscreen.
Policy Matters: Pushing the CTF Buttons by Barri Cohen Published on February 1, 2007May 12, 2022 Industry Looking at the storm of Shaw Cable Systems and the Canadian Television Fund (CTF) contribution freeze
A GreenCode for the Documentary and Screen Industries by Peter Wintonick Published on February 1, 2007May 13, 2022 Features Documentarians love to make earnest, socially engaged films about serious issues like the environment, but how is filmmaking sustainable?