Reviews - Page 113

Giving you our points of view on the latest docs in release and on the circuit.

Humboldt Strong: ‘The New Season’ Returns to the Ice with the Broncos

Humboldt: The New Season (Canada, 45 min.) Dir. Kevin Eastwood, Lucas Frison Hockey is Canada’s game. It’s no wonder, then, that the nation found itself gripped by tragedy on April 6, 2018 when the bus carrying the Humboldt Broncos collided with a semi-trailer truck, killing 16 members of the Saskatchewan junior hockey team. The Sweet Hereafter is just a movie, but this story is real life as parents, friends, and neighbours struggle with the loss of the young players and the coach and support staff who helped unite the town in the arena. They were just boys on the way to a

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Mike-osaurus Rex: ‘Mike Wallace is Here’ Celebrates a TV Icon

Mike Wallace is Here (USA, 94 min.) Dir. Avi Belkin Bill O’Reilly calls Mike Wallace “a dinosaur” in an early clip in Mike Wallace is Here. The bullish former FOX News sleaze peddler provokes the veteran journalist by arguing that news stories driven by research and interviews are products of a bygone era. Wallace could be the first and the last in a long line of dogged TV journalists. The veteran journalist, who passed away in 2012 at the age of 95, spent nearly half a century interviewing subjects from all walks of life, elevating journalism with incisive conversations that got to the

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Rock of Ages: ‘David Crosby: Remember My Name’

David Crosby: Remember My Name (USA, 95 min.) Dir. AJ Eaton Rock and roll biopics often lean towards the hagiographic or, worse, milquetoast while providing pat stories of success or recovery that are little more than self-serving commercials. To the immense credit of filmmaker and subject alike, David Crosby: Remember My Name tries valiantly to avoid these pitfalls. Director A.J. Eaton tasks Crosby’s long-time friend Cameron Crowe (a producer on the film) to do the interviews, resulting in some true soul searching from the aging legend looking back on his varied career. The most telling realization by Crosby is that maybe he’s

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“Stupid and Naïve”: Free Trip to Egypt

Free Trip to Egypt (Switzerland/USA/Egypt, 103 min.) Dir. Ingrid Serban Reality television meets Michael Moore theatrics in the earnest misfire Free Trip to Egypt. This well-intentioned doc sees idealistic Egyptian-Canadian Tarek Mounib take a handful of Americans on an all-expenses paid trip to Cairo. Mounib hopes that the getaway may help the Americans overcome their prejudices, but the project simplifies complex issues of identity and cultural exchange far too much to satisfy. Alternatively humorous, heartfelt, awkward, ignorant, haphazard, and downright embarrassing, the film doesn’t do its participants any favours despite its sincere attempt to make the world a better place. The

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Faith in Branded Content?

Bethany Hamilton: Unstoppable (USA, 100 min.) Dir. Aaron Lieber No matter your beliefs, take the kids to see Bethany Hamilton: Unstoppable. This faith-based surfing documentary (yes, that’s a thing) offers a compelling and inspiring story of commitment and perseverance. Unstoppable finds a great character in Bethany Hamilton, an American surfer who lost her arm in a shark attack at age 13 and rebounded with a lucrative professional career. Buoyed by her faith but driven by her belief in herself and love for the surf, Hamilton is an unshakably positive force. Even a cynical atheist with a dozen years of (unconvincing) Catholic school under

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Marianne & Leonard and Broomfield’s Love Triangle

Marianne & Leonard: Words of Love (USA/UK, 97 min.) Dir. Nick Broomfield Nick Broomfield has rightfully earned an obnoxious reputation for injecting himself into every story he tells. (Watch his take on Tupac for the most egregious example of this crime.) It’s all the more ironic then that Marianne & Leonard seems to be his most effective turn at having the focus stay largely on the central protagonists, given that there is actually is an intimate connection between filmmaker and subject. The story of the love between Leonard Cohen and his muse Marianne Ihlen resulted in some of the greatest works of popular culture.

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Toni Morrison: Sweet and Savoury Wisdom

Toni Morrison: The Pieces I Am (USA, 119 min.) Dir. Timothy Greenfield-Sanders Apparently Toni Morrison makes one heck of a carrot cake. The secret, she says, is a lot of carrots. “Other people don’t put enough carrots!” she observes with her big, buoyant laugh that gives so much life to Toni Morrison: The Pieces I Am. Morrison doesn’t divulge her secret carrot cake recipe any further, but the iconic author instead offers some sweet and savoury wisdom as she opens up about the recipe for her great literary success. This long overdue portrait of the influential Nobel and Pulitzer Prize winning

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‘Ferrante Fever’ Celebrates the Polkaroo of Literature

Ferrante Fever (Italy/France, 74 min.) Dir. Giacomo Durzi Elena Ferrante is the Polkaroo of world literature. The elusive Italian author of My Brilliant Friend and Troubling Love has legions of fans, yet her identity is a mystery. She’s a ghost, a recluse, and an enigma. Her books are international best-sellers, however, even though she’s never made a public appearance and refuses to do interviews. There’s something about her books that causes a near-mania in her legions of fans and it’s a credit to her work that she’s a success in an age when celebrity drives the price of fame. There’s a great film to

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‘Never-Ending Man’ Goes Inside a Master’s Mind

Never-Ending Man: Hayao Miyazaki (Japan, 70 min.) Dir. Kaku Arakawa “It’s an insult to life,” mutters filmmaker Hayao Miyazaki to a flabbergasted colleague in Never-Ending Man. The legendary Japanese animator makes the terse remark as he endures his colleague’s demonstration about the alleged wonders of computer-generated animation. The demo features a ghastly zombie-like character who rolls around the screen. The younger tech-savvy CGI demonstrates to Miyazaki a new algorithm that dictates an animated creature’s movements, but cannot decipher a character’s leg from its head. The onscreen movements are thus a macabre dance of flailing limbs that might look cool in a video game,

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Watergate: “Never Be Petty”

Watergate (USA, 260 min.) Dir. Charles Ferguson “Never be petty. Always remember others may hate you but those who hate you don’t win unless you hate them. And then you destroy yourself,” said former President Richard Nixon in his farewell speech to the White House Cabinet and staff. Director Charles Ferguson, who won an Oscar for his outstanding look at the financial crisis Inside Job, offers this clip of Nixon at the end of his four-and-a-half hour marathon of a documentary about the Watergate scandal. Although the sheer volume of evidence Ferguson presents in Watergate proves (again) that Nixon was a crook who

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