Sharkwater Extinction (Canada, 88 min.) Dir. Rob Stewart Programme: Special Events (World Premiere) There won’t be a dry eye in the house when the credits roll on Sharkwater Extinction. This final film by
Keep ReadingJawad Rhalib's powerful documentary When Arabs Danced is a joyous celebration of women and the impact of positive representation.
Keep ReadingMaria by Callas (France, 113 min.) Dir. Tom Volf Programme: TIFF Docs (North American Premiere) Every good diva deserves a doc portrait. Maria Callas receives a meticulously curated and assembled appreciation in this archival
Keep ReadingDiamantino (Portugal/France/Brazil, 97 min.) Dir. Gabriel Abrantes and Daniel Schmidt Programme: Midnight Madness (North American Premiere) Abrantes and Schmidt are part of a New York avant-garde film scene comprised mostly of Cooper
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"This film tries to project the future, but in doing so, it looks at the past," says Igor Drljača on his documentary The Stone Speakers, which offers an unconventional of Bosnian tourist
Keep ReadingTIFF’s annual Wavelengths programme is one of few opportunities for Torontonians (and Canadians) to see work on the bleeding edge of film aesthetics in such a concentrated burst. It’s also, I would
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Rachel Grady and Heidi Ewing discuss One of Us, an urgent docu-thriller about individuals facing the life-altering decision to leave their conservative Hasidic community.
Keep ReadingFirst things first: Wavelengths, the experimental and avant-garde program curated by Andréa Picard, is pretty clearly the best thing TIFF has going for it. Here, as nowhere else, the celebrity-centric mediocrity of
Keep ReadingLaunching TIFF’s doc section, Sophie Fiennes’s film Grace Jones: Bloodlight and Bami gave the audience at its first public screening the taste of ecstasy they hoped for. Both Fiennes and the living icon revelled
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With music by Philip Glass and no talking heads, Jane will delight people who know about ecology and the animals but are genuinely in Ms. Goodall’s life as well.
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