When critics were discussing Bon Cop, Bad Cop upon its release, many called it Canada's first bilingual feature, an honour owed to The Apprentice.
Keep ReadingIf air travel is immoral, and the Internet has contracted geography, then what kind of window is the documentary screen today?
Keep ReadingProfiling maverick filmmaker and actress Ingrid Veninger, who collaborated on two new films premiering this fall: Only and Nurse. Fighter. Boy.
Keep ReadingWith an increasing number of filmmakers starting out their careers after studying cinema in school, it’s interesting to investigate what trends towards environmental sustainability are taking place.
Keep ReadingThe stakes are high with Pontypool. Canadian film needs more profitable indie pictures to survive and thrive.
Keep ReadingVeteran writer and filmmaker Cole analyzes what makes a doc story work and offers a manifesto on how to make one yourself.
Keep ReadingThe Documentary Organization of Canada is the collective voice of independent and professional media-makers across Canada. We salute its 25 years.
Keep ReadingIn part two of a career-ranging conversation with POV’s editor, Nettie Wild talks about her filmmaking process and her documentaries.
Keep ReadingAn American distributor snapped up Yung Chang's Up the Yangtze at Sundance, but Canadian distributors didn't bite. What does that mean for us?
Keep ReadingWhile Bob Clark does get credit for making one of the most commercially successful Canadian films ever, his work has suffered a lack of proper appraisal.
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