Issue 103 - Fall 2016
Alanis Obomsawin confronts the history of residential schools in Canada and the ongoing effects of colonialism in We Can’t Make the Same Mistake Twice.
Cover photo by Pedro Ruiz
What I see is the respect and the strength of the people and the capability of being able to defend yourself and being heard. I think if I were to die tomorrow, I wouldn’t feel as bad as I would
Read MoreWhat does it take to have gender parity in the director’s chair? So asked a number of women’s film and television groups this past year in a series of panels at the Venice and Cannes film festivals, which called for
Read MoreIn All Governments Lie, Fred Peabody and Peter Raymont consider the legacy of independent journalists like I.F. Stone in the age of Trump.
Read MoreHybrid films Aim for the Roses, Nuts!, and London Road pull back the curtain between fiction and non-fiction while making sense of a world of quack politicians and fake news.
Read MoreHugh Gibson's The Stairs and Charles Officer's Unarmed Verses are two docs set in Toronto’s social housing districts
Read MoreA good way to enter Angela Grauerholz’s world is through her books—or rather their scans—from her personal library.
Read MoreTransmedia Marketing: From Film and TV to Games and Digital Media by Anne Zeiser is a practical guide for film and TV promotion.
Read MoreThe timing of Jamie Kastner’s feature The Skyjacker’s Tale couldn’t be better. In late 2014, while the Toronto director worked on the movie, the U.S. and Cuba announced the restoration of diplomatic relations after a 53-year shutdown. This gave the
Read MoreIn Limit Is the Sky, Vancouver filmmaker Julia Ivanova immerses herself in Fort McMurray’s millennial generation.
Read MoreReflections on Norman McLaren's Oscar-winning NFB classic Neighbours.
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