An interview with All We Imagine as Light director Payal Kapadia about how her documentary eye informed her dramatic feature debut.
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Charlotte's Castle observes residents leading the fight to save Toronto's Spadina Gardens from developers.
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Desperate Souls, Dark City and the Legend of Midnight Cowboy explores the impact and legacy of the X-rated 1969 Oscar winner.
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People come and people go in grand hotels, but Dreaming Walls: Inside the Chelsea Hotel shows how the ones who stay ultimately define them.
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An interview with Museum of the Revolution director Srdan Keca about his documentary that explores an abandoned monument of hope and the lives of those within.
Keep Reading![] In a reflection of an unmarked storefront is a grayish silhouette of a man using an electric wheelchair. Behind the man is a spectacular red and yellow circus tent.](https://povmagazine.com/wp-content/uploads/2022/01/I-DIDNT-SEE-YOU-THERE-Lead-Still-480x384.jpeg)
Director Reid Davenport discusses creating an aesthetic of radical disability and empathy.
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A look back at three pioneering photographer-filmmakers: Paul Strand, Helen Levitt, and Gordon Parks and their contribution to documentary.
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Upbeat doc Martha: A Picture Story gives street photographer Martha Cooper her due.
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On one hand, Pretend It’s a City is an engaging portrait of Fran Lebowitz, but on the other, it’s an essential time capsule of pre-COVID city life. I haven’t laughed so heartily
Keep ReadingThere’s No Place Like This Place, Anyplace (Canada, 75 min.) Dir. Lulu Wei When I first tried moving to Toronto, I enjoyed an extended temporary stay on my twin brother’s couch. He
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