Mark Peranson’s Waiting for Sancho absolutely belongs in the pages of a Canadian magazine attuned to documentary and independent cinema and its absence from this year’s Hot Docs lineup is worth noting.
Keep ReadingIn asking Telefilm to exercise this power to compensate for a year’s worth of envelope investment lost, my intent is not to gain an unusual advantage over others, but to be treated
Keep ReadingVeteran writer and filmmaker Cole analyzes what makes a doc story work and offers a manifesto on how to make one yourself.
Keep ReadingNo one who has known Richard Stringer will ever forget him; he will always be part of the landscape of our imaginations.
Keep ReadingIs the acclaimed Manufactured Landscapes coolly representative of a pervasive yet unacknowledged nihilism in documentary?
Keep ReadingJennifer Baichwal, director of Manufactured Landscapes (2006), on the aesthetics of suffering onscreen.
Keep ReadingKathleen M. Smith remembers Roberto Ariganello, who passed away on August 13, 2006. He was a respected filmmaker, teacher, and mentor.
Keep ReadingShort notes delivered by Canadian documentary filmmaker Peter Wintonick on the occasion of receiving the Governor General Award for Visual and Media Arts, given in the presence of their Excellencies The Right
Keep ReadingAs the dot-com boom explodes and the digital revolution takes over, how will broadcasters adapt or, more likely, leave independents behind?
Keep ReadingPat Aufderheide’s catch words for Fair Use are: transformation, commentary, context, and taking only as much as needed to make a point.
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