Veteran writer and filmmaker Cole analyzes what makes a doc story work and offers a manifesto on how to make one yourself.
Keep ReadingNo one who has known Richard Stringer will ever forget him; he will always be part of the landscape of our imaginations.
Keep ReadingIs the acclaimed Manufactured Landscapes coolly representative of a pervasive yet unacknowledged nihilism in documentary?
Keep ReadingJennifer Baichwal, director of Manufactured Landscapes (2006), on the aesthetics of suffering onscreen.
Keep ReadingKathleen M. Smith remembers Roberto Ariganello, who passed away on August 13, 2006. He was a respected filmmaker, teacher, and mentor.
Keep ReadingShort notes delivered by Canadian documentary filmmaker Peter Wintonick on the occasion of receiving the Governor General Award for Visual and Media Arts, given in the presence of their Excellencies The Right
Keep ReadingAs the dot-com boom explodes and the digital revolution takes over, how will broadcasters adapt or, more likely, leave independents behind?
Keep ReadingPat Aufderheide’s catch words for Fair Use are: transformation, commentary, context, and taking only as much as needed to make a point.
Keep ReadingIt’s important for a child to write about these films to show that we can understand and learn that there’s a price to pay when powerful organizations manipulate all of us into
Keep ReadingSnowy February in Toronto, Sunnyside of the Doc Rendezvous: a pitching session between French and Canadian producers and broadcasters. I’m here as a double agent—autodidact on assignment. Inspired, I learn lots and
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