Since the creation of the Vancouver and Montreal based studios, interactive works and VR have taken off and the Board has expanded production in new media across the country.
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The National Film Board (NFB) showcased yet another of its multimedia projects at New York’s influential Tribeca Film Festival this spring. Draw Me Close, a still-in-production long-form virtual reality (VR) experience, follows
Keep ReadingWith Uninterrupted, Nettie Wild has taken up the challenge of being primarily—at least for this piece—a visual artist, without losing her doc roots.
Keep ReadingWhile it may not have been the best-attended presentation at Hot Docs 2017, The Maribor Uprisings was surely one of its most interesting. The one-night-only screening at Innis Town Hall was guided by co-director and
Keep ReadingThe World in Ten Blocks creators Marc Serpa Francoeur and Robinder Uppal discuss their interactive doc about Toronto's diverse make-up.
Keep ReadingTransmedia Marketing: From Film and TV to Games and Digital Media by Anne Zeiser is a practical guide for film and TV promotion.
Keep ReadingVR will have to find an aesthetic that upholds a sense of presence that connects the viewers' gaze to memories.
Keep ReadingFor the last two decades, Jorge Lozano has been prolific in his production of films and videos notable for their social and political engagement.
Keep ReadingBrett Gaylor responds to Sergeo Kirby's article "The Interactive Paradox" and highlights the success and innovation of digital documentary.
Keep ReadingBrenda Longfellow’s Offshore is a documentary that sharply challenges our easy acceptance of our fossil-fuel societies
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