Since the creation of the Vancouver and Montreal based studios, interactive works and VR have taken off and the Board has expanded production in new media across the country.
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Highlights from the 2018 TIFF Doc Conference included talks with Werner Herzog, Alethea Arnaquq-Baril, Maxin Pozdorovkin, and more.
Keep ReadingDid concerns over taxes and French-language production at Netflix prove to be Mélanie Joly’s undoing as heritage minister?
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In Canada, it’s called fair dealing. In the States, fair use. But as for hard guidelines, there aren’t any.
Keep ReadingMathieu Peirre Dagonas is the new executive director of the Documentary Organization of Canada (DOC). He has 15 years of political affairs experience, which includes working in senior provincial government roles. In 2011, Mathieu
Keep ReadingIssue 108 of POV featured Barri Cohen’s popular Policy Matters column (Shame, Shame, Shame), which referred to the Canada Media Fund (CMF) in regards to Allarco Entertainment Limited Partnership (“Super Channel”). The article drew quite some attention
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Is Super Channel up to its old tricks again? If Super Channel doesn’t have the foresight to cash-flow their own business, and if they can’t honour their deals, they shouldn’t have a
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Hot Docs’ worthy recipient of the 2018 Don Haig Award, Ina Fichman, discusses her new films Laila at the Bridge and The Oslo Diaries and a prolific career in documentary.
Keep ReadingIris Ng, the great cinematographer of documentaries such as Stories We Tell, A Better Man, The Apology and Netflix’s Making a Murderer, joined NFB producer Lea Marin (Unarmed Verses) for an engaging
Keep ReadingOn September 28th, for the first time in more than 25 years (when the 1991 Broadcasting Act was launched), Heritage Canada delivered a new set of policies designed to govern for some
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