The Invisibles: We Want to Live (Germany, 110 min.) Dir. Claus Räfle Past, present, fact, and fiction weave an effective collage in The Invisibles. This powerful doc-drama hybrid tells the story of the
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“The mystery in Kane is largely fake…” — Pauline Kael, Raising Kane, 1971, on the “shallow masterpiece” Citizen Kane. “We Hanky Panky men have always been with you.” — Orson Welles, F for Fake. F
Keep ReadingFausto (Canada/Mexico, 70 min.) Dir. Andrea Bussmann Andrea Bussmann’s solo debut feature after 2016’s Tales of Two Who Dreamt, made in collaboration with partner Nicolas Pereda, is a bit slippery. Ostensibly, it’s a
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Robert Greene’s new film Bisbee ’17 is about the performance of history in the present.
Keep ReadingAmerican Animals (USA, 100 min.) Dir. Bart Layton American Animals spins the phrase “based on a true story” on its head. This innovative and exhilarating docu-drama hybrid from Bart Layton (The Imposter) masterfully
Keep ReadingWormwood (USA, 240 min.) Dir. Errol Morris; Writ. Kieran Fitzpatrick, Steven Hathaway, Molly Rokosz “Something is rotten in the state of Denmark,” observes director Errol Morris while interviewing subject Dr. Eric
Keep ReadingSong of Granite (Ireland/Canada, 97 min.) Dir. Pat Collins The world of the musical biopic can be a well-worn path. It can also be one of inspiration. Pat Collins offers the
Keep Reading3/4 (Bulgaria/Germany, 82 min.) Dir. Ilian Metev Featuring: Mila Mihova, Nikolay Programme: Discovery (North American Premiere) What are some of the traits that come to mind when one imagines a “festival
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Denis Côté's A Skin So Soft is a playful and thoughtful hybrid portrait of bodybuilders that considers masculinity from new angles as the muscle men sculpt their bodies with a rigourous regimen
Keep ReadingManifesto (Australia/Germany, 95 min.) Dir. Julian Rosefeldt Starring: Cate Blanchett “Nothing is original,” says a teacher, played by the extraordinary Cate Blanchett (Carol, Blue Jasmine), to a class of wide-eyed youngsters.
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