RIDM 2016's retrospective of the films of Deborah Stratman displayed a breadth of techno-aesthetic approaches about landscapes and systems.
Keep ReadingHavarie belongs within a broadly defined notion of the essay film genre, and also exhibits a true experimentalism, all while never compromising documentary integrity.
Keep ReadingSergei Loznitsa's Austerlitz is an immersion in the absence of meaning, becoming a sort of nihilistic totem to the impossibility of understanding.
Keep ReadingOliver Laxe's Mimosas offers strokes of absurdity and subtle thematic development contributing to an experiment in contemplative cinema.
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“He didn’t live a double life. He lived twice.” - An appreciation of Chris Marker's influential classic La jetée
Keep ReadingHighlights of Toronto's 2016 Images Festival include Kelly O'Brien's Postings from Home and Mike Hoolboom's Incident Reports.
Keep ReadingWith Invention, Canadian contemporary artist/filmmaker Mark Lewis boldly resurrects the city symphony film.
Keep ReadingCan documentaries break with tradition and become truly avant garde? Mike Hoolboom's Mark and Yuval Sagiv's How I Filmed the War prove it's possible.
Keep ReadingPhilip Hoffman is one of Canada’s most important documentary filmmakers, full stop. To make this case, one only needs to look at the current ubiquity of ‘hybrid documentaries’ and the critical and
Keep ReadingArtist-filmmaker Mark Lewis represents Canada at the Venice Biennale with a series of meditative films that were sponsored by the NFB. Are docs and art intertwining?
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