On Patrick Staff's The Prince of Homburg and and ChloeΜ Galibert-LaiΜneΜ's Watching the Pain of Others
Keep ReadingThat Cloud Never Left (India, 65 min.) Dir. Yashaswini Raghunandan Director Yashaswini Raghunandan has a perceptive sense of humour. Her filmΒ That Cloud Never LeftΒ opens with a title card that reads, βThis is
Keep ReadingDemonic (Australia 28 minutes) Dir. Pia Borg screens with: The Giverny Document (US France 42 minutes) Dir. JaβTovia Gary In the International short and medium length competition at RIDM, Demonic and
Keep ReadingA report from the 2019 Images Festival in Toronto emphasizes seeing our world from a slightly different angle.
Keep ReadingSymphony of the Ursus Factory (Poland, 61 min.) Dir. JaΕmina WΓ³jcik Programme: Artscapes (North American Premiere) If thereβs a prize for strangest film at Hot Docs, please bestow the golden laurels uponΒ Symphony
Keep ReadingAmidst the various concerns that inform the films of Turkish-born, US-based artist and filmmaker Nazli Dinçel is a recurring curiosity in touch. Her films are often populated by bodies seen most often in
Keep ReadingOver this evening and the next, staunch filmmaker and author Julian Samuel will have two of his major documentaries screened atΒ TIFFΒ Bell Lightbox. Both take on the subject of libraries: where theyβve been
Keep Reading"This film tries to project the future, but in doing so, it looks at the past," says Igor DrljaΔa on his documentary The Stone Speakers, which offers an unconventional of Bosnian tourist
Keep ReadingTIFFβs annual Wavelengths programme is one of few opportunities for Torontonians (and Canadians) to see work on the bleeding edge of film aesthetics in such a concentrated burst. Itβs also, I would
Keep ReadingThe art and life of Jonas Mekas seamlessly blend together, and viewers have had the privilege to witness this intertwinement for six decades. He was, and is, at the center of the
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