Mascots might be a work of straightforward fiction, but the mockumentary form arguably captures the pleasure of creative performance.
Keep ReadingHermia & Helena, like Piñeiro’s previous two films, is a sort of fugue on Shakespearean themes—a sort of A Midsummer Night’s Dream remix.
Keep ReadingThe Death of Louis XIV (La mort de Louis XIV) (France/Portugal/Spain, 115 min.) Dir. Albert Serra, Writ. Albert Serra, Thierry Lounas Starring: José Wallenstein, Filipe Duarte Programme: Wavelengths (North American Premiere) A
Keep ReadingNew book on Goin' Down the Road proves there is always new life to be breathed into even the most well worn of subjects.
Keep ReadingComposer Lesley Barber is one of those artists who is constantly ahead of the curve. A look at her work from When Night Is Falling to Marion Bridge.
Keep Reading"Crappy producers give birth to horrible films, then get shameful envelopes to produce even more commercial shit." - Denis Côté
Keep ReadingHow did indie filmmaker Ruba Nadda make her new feature starring Patricia Clarkson? Tong looks at the creative and financial struggles involved in making a Canadian film—shot in Egypt for an international
Keep ReadingCurtis’s Charm marked the introduction of a major talent to Canadian filmmaking with director John L’Ecuyer
Keep ReadingWhen critics were discussing Bon Cop, Bad Cop upon its release, many called it Canada's first bilingual feature, an honour owed to The Apprentice.
Keep ReadingProfiling maverick filmmaker and actress Ingrid Veninger, who collaborated on two new films premiering this fall: Only and Nurse. Fighter. Boy.
Keep Reading