POV editor Marc Glassman and Kevin McMahon debate the latter's revolutionary suggestion that documentary is Canada's national art form.
In The End of Time, Peter Mettler displays his signature curious, roving gaze of an artist who has learned to believe his own eyes.
Shoot It!: Hollywood Inc. and the Rising of Independent Film by film journalist David Spaner, ambitiously explores international indie movements from the 1940s onward.
The 62nd International Berlin Film Festival is an icy opus that showcases the globe’s top cinema, from studio starlets at the galas to experimental explorations, courtesy of the Forum, the self-proclaimed ‘daring’ section that showcases the avant-garde.
Michel Brault’s seminal work in documentary is honoured with the 2012 Outstanding Achievement Award by Hot Docs.
Yung Chang's China Heavyweight illustrates how winning is not necessarily the ultimate reward, it’s the lessons learned along the way.
Whatever you want to call it—reality TV, docu-series, docu-soap—unscripted television is being watched by more people around the globe than ever. With this popularity has come a new breed of storytellers,
Hot Doc’s Canadian Spectrum is an eagerly anticipated survey of the current crop of Can-docs. Here’s the skinny.
DOXA considers changing its name in order to accommodate the scope and breadth of new forms of documentary presentation.
With Harper’s new federal austerity budget we are subjected to attacks on things like seniors, the environment, public health and—what a cliché—arts and culture.